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DTSTART;TZID=America/Chicago:20220723T200000
DTEND;TZID=America/Chicago:20220723T200000
DTSTAMP:20260524T221430
CREATED:20220330T142310Z
LAST-MODIFIED:20220723T172525Z
UID:4068-1658606400-1658606400@www.micm.org
SUMMARY:Andrés Díaz\, Masumi Rostad\, and Fellowship Students
DESCRIPTION:Advanced ticket sales have ended. Tickets will be available for purchase at the door.\nTickets are $35.  \nThis event will also be live streamed. \nLive Stream \nMadeline Island Chamber Music is pleased to present Andrés Díaz\, Masumi Rostad\, and the Fellowship Students in concert at the Clubhouse on Madeline Island. \n\nPROGRAM \nString Quintet No. 2 in B-flat Major\, Op. 87\nFelix Mendelssohn \nFellowship Students with Masumi Rostad\, viola \nIntermission \nString Quintet in C Major\, D. 956\nFranz Schubert \nFellowship Students with Andrés Díaz\, cello
URL:https://www.micm.org/event/andres-diaz-masumi-rostad-and-fellowship-students/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
ORGANIZER;CN="Madeline Island Chamber Music":MAILTO:info@micm.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220717T140000
DTEND;TZID=America/Chicago:20220717T140000
DTSTAMP:20260524T221430
CREATED:20220330T145553Z
LAST-MODIFIED:20220719T144944Z
UID:4081-1658066400-1658066400@www.micm.org
SUMMARY:Ivalas Quartet\, Emerging Artists Quartet in Residence
DESCRIPTION:Live Stream \nMadeline Island Chamber Music is pleased to present the Emerging Artists Quartet in Residence Ivalas Quartet in concert at the Clubhouse on Madeline Island. \n\nPROGRAM \nWarmth of Other Suns\nCarlos Simon \nTenebrae\nOsvaldo Golijov \ninterval \nString Quartet in E-flat Major\, Op. 127\nLudwig van Beethoven
URL:https://www.micm.org/event/emerging-artists-quartet-in-residence/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
ORGANIZER;CN="Madeline Island Chamber Music":MAILTO:info@micm.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220715T200000
DTEND;TZID=America/Chicago:20220715T200000
DTSTAMP:20260524T221430
CREATED:20220329T211919Z
LAST-MODIFIED:20220719T143907Z
UID:4067-1657915200-1657915200@www.micm.org
SUMMARY:American String Quartet
DESCRIPTION:Live Stream \nMadeline Island Chamber Music is pleased to present the American String Quartet in concert at the Clubhouse on Madeline Island. \nPETER WINOGRAD\, violin; LAURIE CARNEY\, violin\nDANIEL AVSHALOMOV\, viola; WOLFRAM KOESSEL\, cello \n\nPROGRAM \nString Quartet in E-flat Major\, Op. 74 (“Harp”)\nLudwig van Beethoven \nString Quartet No. 3 in C-sharp Minor\, Sz. 85\nBéla Bartók \nIntermission \nString Quintet No. 2 in G Major\, Op. 111 (Jonathan Swartz\, viola)\nJohannes Brahms
URL:https://www.micm.org/event/american-string-quartet/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
ORGANIZER;CN="Madeline Island Chamber Music":MAILTO:info@micm.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220709T170000
DTEND;TZID=America/Chicago:20220709T170000
DTSTAMP:20260524T221430
CREATED:20220329T211030Z
LAST-MODIFIED:20220711T170428Z
UID:4065-1657386000-1657386000@www.micm.org
SUMMARY:Jupiter String Quartet
DESCRIPTION:Live Stream \nMadeline Island Chamber Music is pleased to present the Jupiter String Quartet in concert at the Clubhouse on Madeline Island. \nNELSON LEE\, violin; MEG FREIVOGEL\, violin\nLIZ FREIVOGEL\, viola; DANIEL MCDONOUGH\, cello \n\nPROGRAM \nString Quartet in D Major\, Op. 20\, No. 4\nFranz Joseph Haydn \nString Quartet No. 2\nEleanor Alberga \nIntermission \nString Quartet No. 1 in D Major\, Op. 11\nPeter Ilyich Tchaikovsky
URL:https://www.micm.org/event/jupiter-string-quartet-3/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
ORGANIZER;CN="Madeline Island Chamber Music":MAILTO:info@micm.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220702T200000
DTEND;TZID=America/Chicago:20220702T200000
DTSTAMP:20260524T221430
CREATED:20220329T210320Z
LAST-MODIFIED:20220719T143741Z
UID:4064-1656792000-1656792000@www.micm.org
SUMMARY:CANCELLED: Harlem Quartet
DESCRIPTION:ILMAR GAVILAN\, violin; MELISSA WHITE\, violin\nJAIME AMADOR\, viola; FELIX UMANSKY\, cello \n\nPROGRAM \nString Quartet in C Major\, K. 465 (“Dissonant”)\nWolfgang Amadeus Mozart \nStrum\nJessie Montgomery \nA Night in Tunisia\nDizzy Gillespie \nIntermission \nString Quintet in E-flat Major (Juan Miguel Hernandez\, viola)\nMax Bruch \nTake the A Train\nBilly Strayhorn
URL:https://www.micm.org/event/harlem-quartet/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
ORGANIZER;CN="Madeline Island Chamber Music":MAILTO:info@micm.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220625T200000
DTEND;TZID=America/Chicago:20220625T200000
DTSTAMP:20260524T221430
CREATED:20220329T204428Z
LAST-MODIFIED:20220711T170346Z
UID:4062-1656187200-1656187200@www.micm.org
SUMMARY:Arianna String Quartet
DESCRIPTION:Live Stream \nMadeline Island Chamber Music is pleased to present the Arianna String Quartet in concert at the Clubhouse on Madeline Island. \nJOHN McGROSSO\, Violin; JULIA SAKHAROVA\, Violin\nJOANNA MENDOZA\, Viola; KURT BALDWIN\, Cello \n\nPROGRAM \nString Quartet in G Major\, Op. 54\, No. 1\nFranz Joseph Haydn \nString Quartet (Ragamala)\nReena Esmail \nIntermission \nString Quartet in D Minor\, D. 810\, (“Death and the Maiden”)\nFranz Schubert
URL:https://www.micm.org/event/arianna-string-quartet-4/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
ORGANIZER;CN="Madeline Island Chamber Music":MAILTO:info@micm.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220617T200000
DTEND;TZID=America/Chicago:20220617T200000
DTSTAMP:20260524T221430
CREATED:20220330T142743Z
LAST-MODIFIED:20220706T150738Z
UID:4070-1655496000-1655496000@www.micm.org
SUMMARY:The Prairie Winds
DESCRIPTION:Madeline Island Chamber Music is pleased to present the The Prairie Winds in concert at the Clubhouse on Madeline Island. \nJONATHAN KEEBLE\, flute; LAURA GRIFFITHS\, oboe\nSUSAN WARNER\, clarinet; TIMOTHY MCGOVERN\, bassoon; FRITZ FOSS\, horn \n\nPROGRAM\n \nSimple Gifts from Appalachian Spring\nAaron Copland\nArr. Susan Warner \nConcerto Nr. 2 nach Vivaldi\, BWV 593\nI. Allegro moderato\nII. Adagio\nIII. Allegro\nJohann Sebastian Bach\nArr. Mordechai Rechtman \nSechs Bagatellen\n  I. Allegro con spirito\nII. Rubato – Lamentoso\nIII. Allegro gracioso\nIV. Presto ruvido\nV. Béla Bartók in memoriam – Adagio. Mesto\nVI. Motto vivace. Capriccioso\nGyörgy Ligeti\n \nIntermission\n  \nApollo\n  I. Theia\nII. Sea of Tranquility\nIII. The Buzz\nIV. Luna Nova\nV. Debbie Waltzing on the Moon\nVI. One Small Step\nVII. Moonwalk\nMarc Mellits\n \nChôros No. 2\nHeitor Villa-Lobos\n \nHabanera from Aires Tropicales\nPaquito D’Rivera\n \nQuinteto Sinfónico\nMiguel del Aguila
URL:https://www.micm.org/event/the-prairie-winds/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
ORGANIZER;CN="Madeline Island Chamber Music":MAILTO:info@micm.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210724T193000
DTEND;TZID=America/Chicago:20210724T193000
DTSTAMP:20260524T221430
CREATED:20210527T181542Z
LAST-MODIFIED:20210727T204314Z
UID:3447-1627155000-1627155000@www.micm.org
SUMMARY:SOLD OUT: Díaz and Díaz w/ Fellowship Students play Penderecki and Brahms
DESCRIPTION:[embedyt] https://www.youtube.com/watch?v=r1UpdD2fils[/embedyt] \n  \nMadeline Island Chamber Music is pleased to present violist Gabriela Díaz and cellist Andrés Díaz with the 2021 Fellowship String Program  students in concert on Madeline Island! \nGABRIELA DÍAZ\, Viola\nANDRÉS DÍAZ\, Cello \n\nPROGRAM\n[one-half-first]String Trio[/one-half-first]\n[one-half]Krzysztof Penderecki[/one-half]\nwith Gabriela Diaz\, viola \nI. Allegro molto\nII. Vivace \nDavid Do\, violin  and  Sebastian Kozub\, cello (members of the Julius Quartet\, Emerging Artists Quartet-in-Residence) \n  \n[one-half-first]Piano Quintet Op. 34 for Cello Quintet[/one-half-first]\n[one-half]Johannes Brahms(arr. Annsi Karttunen)[/one-half]\nwith Andrés Díaz\, cello II \nIII. Scherzo. Allegro – Trio\nIV. Finale. Poco sostenuto — Allegro non troppo \nMeraki Quartet\nSofia Matthews\, violin I  /  Jun Liu\, violin II  /  Lia Stallmann\, viola  /  Isabelle Nichols\, cello I \n  \n[one-half-first]String Sextet No. 2 in G Major\, Op. 36[/one-half-first]\n[one-half]Johannes Brahms[/one-half]\nwith Gabriela Díaz\, viola II\, and Andrés Díaz\, cello II \n[one-half-first]I. Allegro non troppo\nII. Scherzo. Allegro non troppo — Presto giocoso \nJulia Su\, violin I\nLena-Marie Stoger\, violin II\nAyano Nakamura\, viola I\nDylan Kinneavy\, cello I\n[/one-half-first][one-half]\nIII. Poco Adagio\nIV. Poco Allegro \nPeiwen Su\, violin I\nCassidy Franzmeier\, violin II\nCorley Friesen-Johnson\, viola I\nNathaniel Blowers\, cello I[/one-half] \n  \n\nMadeline Island Chamber Music extends a special thanks to Claire Givens Violins for generously loaning instruments this season\, including a cello used in this concert by Guest Faculty cellist Andrés Díaz. \n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Program Notes”]\nKrzysztof Penderecki (1933-2020): String Trio \nKrzysztof Penderecki\, born in Krakow in 1933\, was one of Poland’s most noteworthy composers\, winning international attention including multiple Grammy awards. He is most commonly known for his large-scale orchestral works such as Threnody to the Victims of Hiroshima and St Luke Passion\, but his chamber music has also become widely popular\, particularly a collection of string quartets\, which are often heard here at Madeline Island Chamber Music. Commissioned and premiered by the German String Trio\, Krzysztof Penderecki’s sole String Trio draws inspiration from the musical language of Bela Bartok. \nMusic analyst Kenneth Woods has noted a theme of the number three in this piece\, explained here: \nThe screamingly dissonant chords that launch the work (heard three times) are a combination of three triads [chord entities]…These chords preface three cadenzas\, which introduce three strongly differentiated musical personae – the morose viola\, the mercurial cello and the volcanic violin. \nThe String Trio begins with those aggressive\, screaming chords that Woods mentioned\, followed by an elongated\, emotive viola solo. At the center of the movement\, a mysterious\, dark quality seeps through the ensemble\, as the solo role is passed over to the cello and then eventually to the violin. The anxiety builds back to where it began\, but the movement ends in a whisper. \nA confident\, insistent theme forms the basis of the fugal Vivace\, the second and final movement of the Trio. Here\, drama and dynamism from the unison ensemble are traded back and forth with witty interactions between instruments. The opening theme finds its way back to our ears before this complex work concludes with a powerful\, assertive declaration. \nProgram note by Emma Plehal \n  \nJohannes Brahms (1833-1897): String Sextet No. 2 in G Major\, Opus 36 \nThe Sextet No. 2 in G major is one of Brahms’ most exquisite chamber works\, written with a special intrinsic musical dedication to soprano Agathe von Siebold. Agathe and Brahms were in love and rumored to be engaged at the time that Brahms began to write the Sextet. Their relationship did not last\, but Brahms built the main theme of the first movement out of the letters of her first name—A-G-A-H-E—excluding the T\, and using the German notation in which B natural is represented by the letter H. The result is a masterful composition that is deeply rooted in emotions of love and loss. \nThe opening Allegro non troppo is rich and animated\, beginning with a slightly unsettled trilling figure in the viola that sets the stage for a sweet\, opening theme from the violin. The first cello takes a turn singing this same\, elegant melody. From start to finish\, this movement showcases Brahms’ beautiful scoring and ability to couple elegance with strength. \nThe Sextet’s second movement features an introspective minor-key Scherzo\, and a lighthearted Trio section that evokes the stomping and jumping and rhythms of a Ländler-style folk dance. \nA soul-stirring Adagio third movement brings a set of expressive variations\, remarkable harmonies\, and some of Brahms’ finest counterpoint technique. \nThen\, the fourth movement takes off with abounding joy\, moving effortlessly forward through a Tranquillo main theme and a bright\, athletic fugue. The conclusion is Brahms at his happiest\, spreading optimism directly from the strings to the audience. \nNotes by Emma Plehal \n  \nJohannes Brahms (1833-1897): Piano Quintet in F Minor\, Op.34\nArranged for Cello Quintet by Annsi Karttunen \nAlthough it eventually became one of the crown jewels of Brahms’ chamber music output\, the Op. 34 Quintet’s inception and ultimate completion was unusual. The piece was begun in 1862 as a string quintet with two cellos (no doubt influenced by Schubert’s masterpiece of the same instrumentation) and was then arranged as a sonata for two pianos\, Op. 34b. In 1864\, Brahms completed the version we are most familiar with today\, fusing the sonorities of the strings with the depth and power of the piano to create one of the true masterpieces of chamber music literature. Tonight’s concert features an arrangement for cello quintet\, as Brahms had originally envisioned it. \nThe sonata-form first movement opens with the first theme presented in unison; the sparse texture provides the dramatic seed from which the rest of the movement grows. Three brilliant outbursts follow\, and help to usher in the full statement of the first theme\, which is played in unison by all five instruments. As momentum gathers and the music begins to accelerate\, the first theme returns\, and the movement comes to a momentous close. \nThe delicate lilt of this movement’s primary theme is achieved through Brahms’ expressive use of rhythm. A brief middle section in E Major features soaring triplets in the second violin and viola parts. A dotted-rhythm octave leap serves as a pickup to each instrument’s entrance and eventually leads the players back to movement’s original music\, heard this time as a duet between the violin and cello. \nIn the driving C minor scherzo we hear the influence of Beethoven\, but are more aware of the profound presence of Brahms’ mature style. Shifts between the 6/8 and 2/4 time signatures provide an agitated rhythmic unpredictability that makes the entrance of the heroic main theme that much more effective. Unyielding rhythmic activity and soaring melodic lines drive the body of the scherzo to the C Major trio\, where ideas of the scherzo are explored further. \nThe Finale\, containing elements of both sonata and rondo forms\, opens with an eerie introduction featuring arching octave leaps that evoke a sense of desolation. The last movement’s jaunty first theme\, heard first from the cello\, offers emotional relief and serves as the melodic nucleus of the entire last movement. The ingenious coda\, which begins in C# minor\, gives the sense that our tonal center of F minor is lost\, but the rousing return to the home key and dash to the end makes for one of the most exciting endings in all of chamber music. \nNotes by Kurt Baldwin\, edited for this performance by Emma Plehal \n[/accordion-item]\n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nClaire Givens Violins – Instrument loans\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging\n[/accordion-item]\n[/accordion]
URL:https://www.micm.org/event/diaz-diaz-with-fellowship-072421/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210722T193000
DTEND;TZID=America/Chicago:20210722T193000
DTSTAMP:20260524T221430
CREATED:20210527T181549Z
LAST-MODIFIED:20210721T203021Z
UID:3446-1626982200-1626982200@www.micm.org
SUMMARY:Music of Our Time
DESCRIPTION:Note: Seating is limited. Pairs and single seats available in the right section\, facing the stage.\nMadeline Island Chamber Music is pleased to present in concert the 2021 Fellowship String Quartets at The Clubhouse on Madeline Island. These quartets will be performing repertoire they have been studying the previous four weeks with guidance and input from our internationally recognized faculty. \n————— \nTICKET INFORMATION\n* ATTENTION: Concerts at the Clubhouse are reserved seating. A limited number of physically distanced seats will be available to purchase for this concert. For more information please call 715-747-2561. \nThis event will also be available on Facebook Live. \n\nPROGRAM\n[one-half-first]Strum[/one-half-first]\n[one-half]Jessie Montgomery[/one-half]\n  \n[one-half-first]Voodoo Dolls[/one-half-first]\n[one-half]Jessie Montgomery[/one-half]\nPeiwen Su\, violin\nCassidy Franzmeier\, violin\nCorley Friesen-Johnson\, viola\nNathaniel Blowers\, cello \n  \n[one-half-first]At the Octoroon Balls – String Quartet No. 1[/one-half-first]\n[one-half]Wynton Marsalis[/one-half]\nII. Mating Calls and Delta Rhythms\nV. Hellbound Highball \nLena-Marie Stoger\, violin\nJulia Su\, violin\nAyano Nakamura\, viola\nDylan Kinneavy\, cello \n  \n[one-half-first]String Quartet No. 2[/one-half-first]\n[one-half]Eleanor Alberga[/one-half]\nMeraki Quartet\nSofia Matthews violin\nJun Liu\, violin\nLia Stallmann\, viola\nIsabelle Nichols\, cello \n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nClaire Givens Violins – Instrument loans\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging\n[/accordion-item]\n[/accordion]
URL:https://www.micm.org/event/fellowship-quartets-072221/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210718T140000
DTEND;TZID=America/Chicago:20210718T140000
DTSTAMP:20260524T221430
CREATED:20210527T181555Z
LAST-MODIFIED:20210716T183230Z
UID:3445-1626616800-1626616800@www.micm.org
SUMMARY:Emerging Artists Quartet-in-Residence: Julius Quartet
DESCRIPTION:2021 Emerging Artists Quartet-in-Residence and Fall Artist Residency is generously supported by Bob and Carolyn Nelson \nMadeline Island Chamber Music is pleased to present in concert the 2021 Emerging Artists Quartet-in-Residence\, the Julius Quartet. Characterized as “the captivating young string quartet” (The Bennington Banner)\, the Julius Quartet has cultivated a distinguished voice since its formation in 2012. As passionate chamber musicians\, the quartet strives to spread the values of chamber music to diverse communities in addition to presenting their diacritic expression within the music. Swiftly rising to critical acclaim\, the group was awarded First Prize at the Chamber Music Yellow Springs Competition\, First Prize at the first annual MA-ASTA String Quartet/Quintet Competition by unanimous vote\, and was nominated for the Harvard Musical Association’s Arthur Foote Award. \nThe quartet’s expressive personality\, commended for leaving audiences “mesmerized by its resonant sound” (The Collegiate Times)\, has led to performances all over the North America in various venues such as Bing Concert Hall\, Bargemusic\, the Shalin Liu Performing Arts Center\, The Moss Arts Center\, the Museum of Fine Arts\, the Isabella Stewart Gardner Museum and Carnegie Hall’s Weill Recital Hall. In February of 2019\, the quartet collaborated with The Sixth Floor Museum at Dealey Plaza and award-winning Texas composer Jesus Martinez in tribute to both the Museum’s thirtieth anniversary and the fifty-fifth anniversary of the assassination of President John F. Kennedy\, performing a newly commissioned work “The Sixth Floor” – a stirring journey from the darkest days of 1963 to a deeper understanding of the enduring legacy of President Kennedy and what lies beyond. \nCherishing the collaborative essence of chamber music\, the group has shared in numerous collaborations with celebrated artists such as Andres Cardenes\, Aaron Boyd\, members of the St. Lawrence\, Shanghai\, Escher and Lydian Quartets in addition to composers Louis Andriessen\, Dan Tepfer\, Jesper Koch\, and Jesus Martinez. The group has been featured repeatedly in the Music from Salem festival\, where they have collaborated with artists and directors Rhonda Rider\, Lila Brown and Judith Gordon. Keeping an active performance schedule during the summer\, the quartet has participated in numerous summer festivals such as the St. Lawrence String Quartet Seminar\, McGill International String Quartet Academy\, the Chamber Music Residency at The BANFF Centre\, and the Apple Hill Center for Chamber Music. \nHYUN JEONG HELEN LEE\, Violin; DAVID DO\, Violin\nJOHN BATCHELDER\, Viola; SEBASTIAN KOZUB\, Cello \n————— \nTICKET INFORMATION\n* ATTENTION: Concerts at the Clubhouse are reserved seating. A limited number of physically distanced seats will be available to purchase for this concert. For more information please call 715-747-2561. \nThis event will also be available on Facebook Live. \n\nPROGRAM\n[one-half-first]Remnants[/one-half-first]\n[one-half]Manuel Hernandez[/one-half]\n  \n[one-half-first]String Quartet No.6[/one-half-first]\n[one-half]Béla Bartók[/one-half]\nI. Mesto – Vivace\nII. Mesto – Marcia\nIII. Mesto – Burletta. Moderato\nIV. Mesto \n[one-half-first]String Quartet Op.44 No.2[/one-half-first]\n[one-half]Felix Mendelssohn[/one-half]\nI. Allegro assai appassionato\nII. Scherzo. Allegro di molto\nIII. Andante\nIV. Presto agitato \n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Program Notes”]\nBéla Bartók (1881-1945): Quartet No. 6 \nThis string quartet was written in 1939 and reflects the beginning of a natural break in Bartók’s stylistic development of his later years. The striking individuality of his music and its general manner were altered after the completion of the Music for Strings\, Percussion and Celesta and the Sonata for Two Pianos and Percussion. It was not an abrupt change but it was irreversible\, and from this point his music became less rigorous\, less strictly organized\, more fluid\, perhaps more colorful\, but definitely more confessional\, more marked by extremes. A period of constructivism was followed by one of\, so to speak\, human idealism. Bartók continued his efforts to emulate Classical forms and genres\, but the whole effect is of Romanticism. In this late period\, Bartók made more use of orthodox forms. \nEach of the four movements opens with a slow melody marked mesto (sadly). This material is employed for only a relatively short introduction in the first movement\, but is longer in the second and longer again in the third. In the fourth movement\, the mesto material\, with reminiscences of the first movement material\, takes up the entire movement. It can be seen from Bartók’s sketches that he originally intended ending with a lively dance-like finale; however\, upon learning of the death of his mother\, he re-wrote the last movement as a deeply sad elegy. This was the last piece that Bartók wrote in his native Hungary\, and had things turned out differently it may have been his last of all\, as he found it hard to compose in the United States\, where he had fled to escape World War II. However\, a commission from Sergei Koussevitzky\, led to him writing his Concerto for Orchestra\, and he wrote a small number of other pieces after that\, as well as making a few sketches for a seventh\, never completed\, string quartet. The work is dedicated to the Kolisch Quartet\, who gave its premiere in New York City on January 20\, 1941. \nNotes from the Grove Dictionary of Music \n  \nFelix Mendelssohn (1809-1847): Quartet in E Minor\, Op. 44\, No. 2 \nAs a composer\, Felix Mendelssohn’s roots spring from the masters of the 18th century. Although he cultivated a sense of orchestration and style distinctly his own\, we hear his connections to Bach’s counterpoint and fugal writing\, Haydn’s clarity of motive and form\, Mozart’s expressive chromaticism\, and to the power and drama of Beethoven’s voicing\, harmony and orchestration. Although both of Mendelssohn’s first two string quartets\, the Op. 13 (written in 1827) and the Op. 12 (written in 1829)\, pay homage to Beethoven\, they clearly establish Mendelssohn’s own stunning style of writing for the genre. By 1838\, when he completed his next three quartets\, the Op.44 set\, the irrepressible brilliance of Mendelssohn was unmistakable.   \nThe first movement of Opus 44\, No. 2 begins in Mendelssohn’s favorite key\, E minor. Infused with agitation and tension\, the main theme of this opening section is often considered a precursor to Mendelssohn’s E minor Violin Concerto\, written within a year of this quartet’s publication. The brilliant\, acrobatic second movement Scherzo showcases the athleticism and vibrancy that a string quartet is capable of as a unit\, while a light violin melody gently rides over top of the ensemble. An eloquent aria fills the third movement\, passing between instruments and allowing a brief but intimate space for thought and tranquility. When the finale begins\, it is a sudden and virtuosic race to the finish\, with a tender shift of energy in the very final moments. \nProgram notes from material by Kurt Baldwin and Emma Plehal \n  \nProgram notes for Manuel Hernandez’s work Remnants will be announced by a member of the quartet from the stage. \n[/accordion-item]\n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nClaire Givens Violins – Instrument loans\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging\n[/accordion-item]\n[/accordion]
URL:https://www.micm.org/event/julius-quartet-071821/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210716T193000
DTEND;TZID=America/Chicago:20210716T193000
DTSTAMP:20260524T221430
CREATED:20210527T181601Z
LAST-MODIFIED:20210727T204215Z
UID:3444-1626463800-1626463800@www.micm.org
SUMMARY:American Quartet plays Beethoven and Ravel
DESCRIPTION:[embedyt] https://www.youtube.com/watch?v=2xQR_wOSWtQ[/embedyt] \n  \n\nMadeline Island Chamber Music is pleased to present American String Quartet in concert on Madeline Island. Internationally recognized as one of the world’s finest quartets\, the American String Quartet has spent decades honing the luxurious sound for which it is famous. The Quartet celebrated its 45th anniversary in 2019\, and\, in its years of touring\, has performed in all fifty states and has appeared in the most important concert halls worldwide. The group’s presentations of the complete quartets of Beethoven\, Schubert\, Schoenberg\, Bartók\, and Mozart have won widespread critical acclaim\, and their MusicMasters Complete Mozart String Quartets\, performed on a matched quartet set of instruments by Stradivarius\, are widely considered to have set the standard for this repertoire. \nPETER WINOGRAD\, Violin; LAURIE CARNEY\, Violin\nDANIEL AVSHALOMOV\, Viola; WOLFRAM KOESSEL\, Cello \n\nPROGRAM\n[one-half-first]String Quartet No. 14 in C-sharp Minor\, Opus 131[/one-half-first]\n[one-half]Ludwig van Beethoven[/one-half]\nI. Adagio ma non troppo e molto espressivo\nII. Allegro molto vivace\nIII. Allegro moderato\nIV. Andante ma non troppo e molto cantabile\nV. Presto\nVI. Adagio quasi un poco andante\nVII. Allegro \n[one-half-first]String Quartet in F Major[/one-half-first]\n[one-half]Maurice Ravel[/one-half]\nI. Allegro moderato\nII. Assez vif\, très rythmé\nIII. Très lent\nIV. Vif et agité \n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Program Notes”]\nLudwig van Beethoven (1770-1827): Quartet in C-Sharp Minor\, Op. 131  \nBetween 1816 and 1826\, Beethoven composed a series of extraordinary masterpieces—his Ninth Symphony and Missa Solemnis\, five piano sonatas\, and the five string quartets with opus numbers 127 to 135. Just before these works began to appear his output had been slim\, for the compositions of his middle years had exhausted the possibilities of the classical forms he had inherited from Haydn and Mozart. His final works were to require new subjects\, new forms\, and new powers of creation. Beethoven’s last quartets have such great density\, combining concentration and tension with great weight\, that they puzzled musicians for generations. The technical and interpretative difficulties they presented were usually blamed on the composer’s deafness. Early critics thought that during his years without hearing Beethoven had lost touch with musical reality\, yet we now believe that deafness liberated him from convention and freed his musical imagination. \nBeethoven began to work on Op. 131 late in 1825\, after completing the three-quartet commission (Opp. 127\, 130\, 132) for Prince Galitzin\, and sent it to his publisher on July 12 of the next year. Beethoven’s flippant note on the score—“Put together from pilferings from this and that”—caused the publisher great concern\, and the composer had to assure the publisher that the music was completely original and his remark was only a joke. In retrospect it now seems that his comment may have referred to the seven separate movements making up a unified work. Op. 131 was first played at a private concert in Vienna in December 1826\, but the initial public performance did not take place until 1835\, long after Beethoven’s death. Lasting close to forty minutes\, the quartet is divided into seven sections that are played without pause\, creating a completely organic\, well-integrated whole. The burden for projecting this underlying unity rests with the performers\, who must maintain the proper relationships of tempo and mood for the work to flow smoothly from beginning to end. \nThe very slow introductory Adagio is basically a fugue\, followed by four episodes and a coda\, all based on the sober melody originally stated by the first violin. The section ends with a quiet rising C sharp octave leap\, which finds an echo in the ascending D octave leap that opens the second section. The fast second movement sails forth with none of the profundity or expressiveness of the first movement. Even the thematic material contributes no striking contrasts to create dramatic tension\, and good spirits prevail throughout. The short third movement that follows\, only eleven measures long\, is in effect a recitative\, a rhythmically free introduction to the Andante. \nThe fourth movement is an expansive theme and variations that provides the pivotal central focus of the entire quartet. The syncopated theme is shared by the two violins. Beethoven then puts the melody through a series of six variations in which it is completely shaped and fashioned to reveal fully all of its expressive potential. The Presto corresponds to the Classical scherzo movement\, playful and humorous in spirit. Its lightness of character\, though\, disguises a score that is treacherously difficult for the musicians. After an abrupt opening four-note growl by the cello\, the first violin picks up the dancelike tune\, interrupted by passages of smooth legato articulation. Beethoven directs that the final return of the opening tune be played ponticello (bowed near the bridge)\, producing a delicate\, glassy sound. The whirlwind motion continues until two sets of chords effectively end the movement. \nA short\, introspective Adagio\, twenty-eight measures long\, provides a transition between the Presto and the Finale. Two bold\, angry unison phrases open the Finale to introduce the martial main theme with its dotted rhythm. The movement alternates between the forceful first theme and quieter contrasting passages\, including a melody derived from the fugue at the beginning of the quartet. Beethoven once confided to friend Karl Holz that while all of his sixteen quartets were unique\, “each in its way\,” his favorite was the C sharp minor\, Op. 131. \nNotes from material by Susan Halpern and Melvin Berger \n  \nMaurice Ravel (1875-1937): Quartet in F Major \nRecognized universally as one of the most important composers of the late 19th and early 20th centuries\, Ravel possessed a distinctive style which can be heard in his symphonic and keyboard works\, mixed chamber pieces\, vocal repertoire\, and in his sublime string quartet. Ravel was a student of contemporary philosophy\, poetry\, art and music\, and passionately studied literary and musical works of the masters of the 19th century. His skill in mixing new sounds\, unusual meters\, and asymmetrical melodic shapes with established compositional principles give his music its exotic sound. \nRavel’s only string quartet was written in 1902-03. The quartet received rave reviews from the National Musical Society at its debut\, and garnered praise from his colleagues in Paris\, most notably from Debussy. Upon hearing a performance of Ravel’s quartet\, Debussy wrote\, “In the name of the gods of music\, and in mine\, do not touch a single note of what you have written in your Quartet.” Ravel dedicated his quartet to his mentor and teacher\, Gabriel Fauré. \nThe elegant first movement of the quartet is in sonata form\, and both its first and second themes reappear in the other movements of the piece. The movement opens with a lush theme in the first violin\, which is supported by ascending lines in the lower three voices of the quartet. A brief outburst between the two violins is followed by one of the most beautiful second themes in all of the quartet literature. The viola and first violin share the meandering second theme\, which segues directly to the concise development. Versions of both the first and second themes are shared before the seamless transition into the recapitulation. Ravel’s treatment of the musical texture surrounding the principal themes is always interesting\, his use of pizzicato\, tremolo\, and arpeggios helping to keep the general texture bright and clear. \nRavel attended the World Exposition in Paris in 1889 and was struck by the performances of Javanese gamelan music he heard. The rhythmic power and articulate style of gamelan became the inspiration for the second movement of the quartet. Ravel opens the polyrhythmic movement with a plucked primary theme\, and uses pizzicatti throughout as a textural and rhythmic underpinning to the bowed themes. The main theme of the second movement is derived from the second theme of the first movement\, but is ingeniously camouflaged by way of rhythmic variation. The heart of the second movement is the trio\, where a muted theme\, played first in the cello\, is taken up by the viola and first violin\, and completed with the second violin’s harp-like pizzicato version of the opening theme. The music of the opening of the movement makes a brilliant return\, and the movement ends with a fiery unison pizzicato. \nThe third movement is both rhapsodic and ethereal\, and showcases the dark sonorities of the muted viola. Versions of both the first and second themes from the first movement reappear\, woven discreetly into the texture through Ravel’s virtuosic orchestration. An outburst from the cello breaks the mood momentarily\, but the tension is assuaged by tremolos in the treble voices. The intimate warmth of the music is achieved through Ravel’s use of mutes\, harmonic color\, and dynamic directives. \nThe brilliant last movement is mostly in 5/8 meter\, which gives the music a feeling of driving uncertainty. Ravel purposely marks the movement to be played as fast as possible. Here again\, the themes from the first movement reappear\, giving the listener a sense of emotional unity and satisfaction. The vivacity of the music never ceases and the movement sizzles to its decisive conclusion. \nNotes by Kurt Baldwin \n[/accordion-item]\n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nClaire Givens Violins – Instrument loans\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging\n[/accordion-item]\n[/accordion]
URL:https://www.micm.org/event/american-quartet-071621/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210710T193000
DTEND;TZID=America/Chicago:20210710T193000
DTSTAMP:20260524T221430
CREATED:20210527T181606Z
LAST-MODIFIED:20210727T191809Z
UID:3443-1625945400-1625945400@www.micm.org
SUMMARY:Brooklyn Rider plays Golijov and Schubert
DESCRIPTION:[embedyt] https://www.youtube.com/watch?v=4Y4nudtNuL8[/embedyt] \n  \n\nMadeline Island Chamber Music is pleased to present Brooklyn Rider in concert on Madeline Island. Brooklyn Rider offers eclectic repertoire in gripping performances that continue to attract legions of fans and draw rave reviews from classical\, world\, and rock critics alike. The Pittsburgh Post-Gazette raves\, “They are four classical musicians performing with the energy of young rock stars jamming on their guitars\, a Beethoven-goes-indie foray into making classical music accessible but also celebrating why it was good in the first place.” \nJOHNNY GANDELSMAN\, Violin; COLIN JACOBSEN\, Violin\nNICHOLAS CORDS\, Viola; MICHAEL NICOLAS\, Cello \nExclusive Management:\nOpus 3 Artists\n470 Park Avenue South – 9th floor North\nNew York\, NY 10016\nopus3artists.com \n\nPROGRAM \nTenebrae \nOsvaldo Golijov \nQuartet in D Minor\, D. 810\, “Death and the Maiden” \nFranz Schubert \nAllegro\nAndante con moto\nScherzo: Allegro molto – Trio\nPresto\n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Program Notes”]\nOsvaldo Golijov: Tenebrae (Version ll) \nI wrote Tenebrae as a consequence of witnessing two contrasting realities in a short period of time in September 2000. I was in Israel at the start of the new wave of violence that is still continuing today\, and a week later I took my son to the new planetarium in New York\, where we could see the Earth as a beautiful blue dot in space. I wanted to write a piece that could be listened to from different perspectives. That is\, if one chooses to listen to it “from afar”\, the music would probably offer a “beautiful” surface but\, from a metaphorically closer distance\, one could hear that\, beneath that surface\, the music is full of pain. I lifted some of the haunting melismas from Couperin’s Troisieme Leçon de Tenebrae\, using them as sources for loops\, and wrote new interludes between them\, always within a pulsating\, vibrating\, aerial texture. The compositional challenge was to write music that would sound as an orbiting spaceship that never touches ground. After finishing the composition\, I realized that Tenebrae could be heard as the slow\, quiet reading of an illuminated medieval manuscript in which the appearances of the voice singing the letters of the Hebrew Alphabet (from Yod to Nun\, as in Couperin) signal the beginning of new chapters\, leading to the ending section\, built around a single\, repeated word: Jerusalem. \nOsvaldo Golijov (Used by permission. All rights reserved.) \n  \nFranz Schubert: String Quartet No. 14 in d minor\, D. 810 – ‘Death and the Maiden’ \nGiven Franz Schubert’s undeniable stature in the pantheon of musical luminaries\, it is a challenging exercise more than two hundred years later to imagine him as greatly under appreciated within his own lifetime. There was much left to be published of his work upon his death\, much of it spread out in the hands of his small social circle in Vienna. He was known in his day as a composer of mere hausmusik; part songs\, lieder and various pieces for piano. Almost none of his large scale works were known by the Viennese public\, much less outside of Vienna. Schubert himself was not a virtuoso performer- he wrote no concertos\, so his cause was not advanced by the popular virtuosos of the era. Italy was all the rage: the incomparable and devilish violinist Paganini was enormously popular\, as was the music of Rossini. And so it was left mostly to Schubert and his intimate circle of friends to organize evenings of informal performances comprised mostly of lieder and part songs with the ink still drying\, referred to as Schubertiaden. \nIt took later figures such as Robert Schumann\, who was an extremely prescient observer of the musical landscape\, to elevate Schubert’s status to a wider audience. Schumann’s description from an 1840 essay on Schubert’s 9th Symphony for the Neue Zeitschrift fur Musik could just as easily apply to this quartet – “And this heavenly length\, like a fat novel in four volumes by Jean Paul- never-ending\, and if only that the reader may go on creating in the same vein afterwards. How refreshing is their sense of inexhaustible wealth where with others one always fears the ending\, troubled by the presentiment of ultimate disappointment.” \nSchubert’s Death and the Maiden Quartet (1824)\, marks an important transition in Schubert’s music for string quartet from the hausmusik-infused works\, composed mainly with his family quartet in mind\, to works of grand dramatic scope (the Rosamunde also appeared earlier in the same year). Reluctantly buoyed by the musicianship of the Shuppanzigh String Quartet and a desire to increase his public scope\, this quartet was composed just as Schubert came to know that he was seriously ill with syphilis. His dark state of mind could be summed up in this excerpt from a letter to a friend: “I feel myself to be the most unfortunate\, the most miserable being in the world.” \nThis was the setting in which Schubert called upon the voice of Death from an earlier song (a setting of Matthias Claudius’ ‘Death and the Maiden’ from 1817). While we hear in the overall quartet a sense of mortal struggle\, peaked emotions\, and intense drama\, viscerally reflecting Schubert’s state of affairs\, he chose the slow movement to feature Death’s song in a mantra-like theme and set of variations. Seven years after the original setting\, the words of the song clearly took on heightened meaning in light of his struggles: \nDer Tod:\nGib deine Hand\, du schön und zart Gebild! Bin Freund\, und komme nicht\, zu strafen. Sei gutes Muts! ich bin nicht wild\,\nSollst sanft in meinen Armen schlafen! \nDeath:\nGive me your hand\, you beautiful and tender form! I am a friend\, and come not to punish.\nBe of good cheer! I am not fierce\,\nSoftly shall you sleep in my arms!\nWith tireless creativity\, Schubert managed to compose some 140 or so more works before Death came far too early for the young composer\, just 31. \nNotes by Nicholas Cords\n[/accordion-item]\n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nClaire Givens Violins – Instrument loans\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging\n[/accordion-item]\n[/accordion]
URL:https://www.micm.org/event/brooklyn-rider-071021/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210703T193000
DTEND;TZID=America/Chicago:20210703T193000
DTSTAMP:20260524T221430
CREATED:20210527T181612Z
LAST-MODIFIED:20210727T191422Z
UID:3441-1625340600-1625340600@www.micm.org
SUMMARY:Brooklyn Rider plays Azmeh\, Roberts\, and Beethoven
DESCRIPTION:[embedyt] https://www.youtube.com/watch?v=f8jSLZxXM_8[/embedyt] \n  \n\nMadeline Island Chamber Music is pleased to present Brooklyn Rider in concert on Madeline Island. Brooklyn Rider offers eclectic repertoire in gripping performances that continue to attract legions of fans and draw rave reviews from classical\, world\, and rock critics alike. The Pittsburgh Post-Gazette raves\, “They are four classical musicians performing with the energy of young rock stars jamming on their guitars\, a Beethoven-goes-indie foray into making classical music accessible but also celebrating why it was good in the first place.” \nJOHNNY GANDELSMAN\, Violin; COLIN JACOBSEN\, Violin\nNICHOLAS CORDS\, Viola; MICHAEL NICOLAS\, Cello \nExclusive Management:\nOpus 3 Artists\n470 Park Avenue South – 9th floor North\nNew York\, NY 10016\nopus3artists.com \n\nPROGRAM \nDabke On Martense Street \nKinan Azmeh \nborderlands…  \nMatana Roberts \nQuartet in A minor\, Op.132 \nLudwig van Beethoven \nAssai sostenuto – Allegro\nAllegro ma non tanto\nMolto adagio\nAlla marcia\, assai vivace\nAllegro appassionato\n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Program Notes”]\nKinan Azmeh: Dabke on Martense Street \nThis piece belongs to a series of compositions I have been working on in which I try to articulate my connection to spaces. Some of these pieces attempt at documenting personal experience in a given location\, some are inspired by the look and the sound of a city\, and some (like this piece) are inspired by fictional characters at imaginary\, a sort of gathering that I hope will take place sometime in the near future. \nMartense Street is a quiet street in Brooklyn where my home-base is. During the months of March and April 2020\, the covid-19 pandemic has diminished my physical surrounding to just this one street and little beyond that. The shrinking of the real world outside brought a pleasant surprise: an expansion in my imaginary world which had to grow exponentially to compensate. \nThis piece is inspired by an imaginary Dabke dance (circular dance common in my other home: Syria) on Martense Street\, a fictional party of strangers and neighbors who are willing to hold hands again and dance. Thank you Brooklyn Rider for your friendship\, dedication and trust. \nKinan Azmeh\, Brooklyn\, May 29 2020 (Commissioned with generous support from Isabelle\, Emily\, Jeremy\, Barbara\, and David Thomas) \n  \nMantana Roberts: borderlands… \nborderlands… is built around historical data about the US-Mexico border crisis and the problems that have ensued with the more recent archaic American immigration policies. I decided to focus on a type healing that is about healing cultural rifts\, healing ideas of difference\, healing through remembering history\, healing by highlighting the protection of rights that should be afforded to every human\, regardless of where they may come from. This used to be in the spirit of what it means to be American (to me). What is going on right now is not American. It’s a sham and a shame. We can do better…. \nMatana Roberts (Commissioned for Brooklyn Rider by The Visiting Quartet Residency Program at Arizona State University\, 2018.) \n  \nLudwig van Beethoven: Quartet No. 15 in A minor\, Op. 132 \nAnd it came to pass\, when the evil spirit from God was upon Saul\, that David took an harp\, and played with his hand; so Saul was refreshed and was well\, and the evil spirit departed from him. – (I Samuel 16.23) \nThe power of music to heal body\, mind and spirit was a belief held from the ancient Greeks up through the ages. The topic is just as relevant today\, where the synergy between music and healing is being passionately explored in the field of modern brain science (with some astounding findings). Whether the music itself is directly restorative or if it serves as a powerful and guiding metaphor has been long debated\, but nevertheless\, Beethoven’s inherent belief in music’s healing power is well illustrated by a visit he paid in 1804 to his former student\, pianist Dorothea von Ertmann\, following the death of her three-year-old son. Offering music\, he prefaced an hour-long improvisation with the sparsely chosen words: “We will now speak to each other in tones.” Beethoven’s intimate friend Antonie Brentano also recalled that “…he visited me often\, almost daily\, and then he plays spontaneously because he has an urgent need to alleviate suffering\, and he feels he is able to do so with his heavenly sounds…” The Quartet in A minor\, Opus 132 is the second in a series of five quartets written at the request the Russian Prince Galitzin. These so-called late quartets represent an exquisite culmination of Beethoven’s output as a composer. Evidence of the deaf composer’s own suffering and search for higher meaning is found scattered throughout his notebooks during his final years\, and Opus 132 powerfully embodies the musical essence of late Beethoven; an autobiographical world that wrestles with questions surrounding life\, death\, and spirituality. \nA harbinger of music to come\, an almost obsessive drive towards overarching motivic and thematic unity permeates this quartet. A pair of semitones separated by an expressive leap is introduced in the opening bars of the first movement\, these tones (in a great multitude of pitch values\, inversions\, and durations) serving as fodder for all that follows across the five-movement structure. Even with the sweetness of the memorable second theme\, the opening movement is generally characterized by a brooding and highly combustible tendency. In contrast\, Beethoven often relied on pastoral settings across his output to explore a sense of repose and spiritual renewal\, here reflected in the amiable second movement. Flowing over a gentle topography\, the material is still informed here by the general motif\, though with stormy tendencies much subdued. Notable is the hurdy-gurdy trio section on an A drone\, filling the listener with the restorative powers of the fresh air. \nIn the early spring of 1825\, Beethoven found himself in the throes of an infected bowel—far more serious an affliction in the day—pausing his ability to continue work on the quartet. This episode is reflected in the sublime center of this five-movement quartet\, the Heiliger Dankgesang eines Genesesen an die Gottheit\, in der lidischen Tonart (Song of Thanksgiving from a Convalescent to the Deity\, in the Lydian Mode). Beethoven at this time in his life often looked back in the musical tradition for inspiration and as a way to imagine the future. Borrowing from the ancient church modes with his use of the Lydian scale (F major with a raised 4th scale degree)\, Beethoven’s choice was most certainly not random; sixteenth century Italian theorist Gioseffe Zarlino observed that “the Lydian mode is a remedy for fatigue of the soul\, and similarly for that of the body.” Three serene and prayerful Lydian chorale prelude episodes\, each occurrence increasingly intermingling the pure tones of the half note chorale with embellished prelude material\, gradually create a sense of heavenly ascension across the movement. Modulating with the simple hinge of a C-sharp\, two D major sections (Neue Kraft fühlend) break these reveries with joyous expressions of new strength and convalescence. My beloved chamber music coach while in school\, Felix Galimir (then approaching 90) vividly demonstrated this by stepping from his chair one leg at a time and standing tall. In his case\, he was not much taller standing than seated\, but the point was nevertheless well received! But the Heiliger Dankgesang is not only a celebration of feeling new physical strength\, but it is essentially an expression on the renewal of the soul. For Beethoven\, the return of his physical health likely ran of secondary importance to a return of his creative powers. Touchingly written in the margin of a sketch for this movement is a note surely not meant for his doctor: “Thank you for giving me back the strength to enjoy life.” \nBeethoven seems to scorn those of us moved to tears by the sublime conclusion of the third movement with the interjection a raucous march\, bringing us back to earth with bold force. This very brief movement leads into a heroic violin recitativo recalling the choral finale of his ninth symphony (Op 125)\, catapulting us into the highly turbulent world of the finale. Searching in various guises for resolution amidst strains found across all of the preceding movements\, the virtuosic writing shows Beethoven very much writing for the future; how foreign the interlocking rhythms and gnarly contrapuntal figurations must have felt at the time (they still do)! And at the end of this monumental musical journey\, one which invites the listener to confront and transcend his/her own fragilities\, the music is drawn to conclusion with an effervescent coda\, almost Mozart-like in its exuberance. Here is Beethoven once again playing with our emotions; it’s either a joyful summation of our human ability to rise above life’s challenges or a rebuke for taking ourselves too seriously. Or perhaps both? \nNotes by Nicholas Cords\n[/accordion-item]\n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nClaire Givens Violins – Instrument loans\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging\n[/accordion-item]\n[/accordion]
URL:https://www.micm.org/event/brooklyn-rider-070321/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210626T193000
DTEND;TZID=America/Chicago:20210626T193000
DTSTAMP:20260524T221430
CREATED:20210527T181618Z
LAST-MODIFIED:20210727T190938Z
UID:3440-1624735800-1624735800@www.micm.org
SUMMARY:Arianna Quartet plays Mendelssohn and Tchaikovsky
DESCRIPTION:[embedyt] https://www.youtube.com/watch?v=TRRlGpo2NP0[/embedyt] \n \nMadeline Island Chamber Music is pleased to present the Arianna String Quartet in concert at the Clubhouse on Madeline Island. One of the most accomplished American string quartets today\, the Arianna String Quartet garnered national attention upon winning Grand Prize in the Fischoff Chamber Music Competition and have continued to amass accolades since. The Arianna Quartet has appeared throughout North America\, South America\, Europe\, and Asia\, with frequent visits to Brazil and South Africa. They have also collaborated with many of the world’s finest musicians\, including members of the Vermeer\, Tokyo\, Cleveland\, and Juilliard Quartets\, and their live performances have been heard on National Public Radio’s Performance Today\, and Live from Music Mountain\, which broadcasts to 125 stations in the U.S. and to 35 countries. \nJOHN McGROSSO\, Violin; JULIA SAKHAROVA\, Violin\nJOANNA MENDOZA\, Viola; KURT BALDWIN\, Cello \n\nPROGRAM \nQuartet in E-flat Major\, Opus 44\, No. 3\n \nFelix Mendelssohn \nAllegro vivace\nScherzo. Assai leggiero vivace\nAdagio non troppo\nMolto allegro con fuoco \nQuartet No. 3\, Opus 30 \nPeter Ilyich Tchaikovsky \nAndante sostenuto – Allegro moderato\nAllegretto vivo e scherzando\nAndante funebre e doloroso\, ma con moto\nFinale. Allegro non troppo e risoluto \n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Program Notes”] \nFelix Mendelssohn (1809-1847): Quartet in E-flat Major\, Op.44\, No.3 \nFelix Mendelssohn’s life story reads in a way that makes it difficult to believe one man could achieve so much in such a short life. Coming from a distinguished and wealthy family in Berlin\, Mendelssohn was given the very best opportunities in education. His early music teachers immediately recognized his abilities\, and he was systematically introduced to the preeminent teachers and performers in Europe. His early reputation was as a virtuoso pianist\, but performing never dominated his career. Although we know Mendelssohn today principally as a composer of chamber music\, symphonies\, overtures\, and concerti\, he was best known during his life as a conductor. He first gained critical acclaim for an 1829 performance of Bach’s St. Matthew Passion in Berlin\, which not only cemented him as a force from the podium\, but helped to cultivate a modern appreciation of the music of Bach. From 1835-47\, Mendelssohn held the post of Music Director of the Gewandhaus Orchestra in Leipzig\, where he championed the works of Bach\, Beethoven\, Berlioz\, Weber\, and Schumann; he also founded and directed the Leipzig Conservatory in 1843. \nAs a composer\, Mendelssohn’s roots spring from the masters of the 18th century. Although he cultivated a sense of orchestration and style distinctly his own\, we hear his connections to Bach’s counterpoint and fugal writing\, Haydn’s clarity of motive and form\, Mozart’s expressive chromaticism\, and to the power and drama of Beethoven’s voicing\, harmony and orchestration. Although both of Mendelssohn’s first two string quartets\, the Op.13 (written in 1827) and the Op.12 (written in 1829)\, pay homage to Beethoven\, they clearly establish Mendelssohn’s own stunning style of writing for the genre. By 1838\, when he completed his next three quartets\, the Op.44 set\, the irrepressible brilliance of Mendelssohn was unmistakable. \nThe Quartet in E-flat Major\, Op.44 No.3\, set in the same triumphant key as his ravishing Op.12 Quartet and Op.20 String Octet\, shares a similar thread of heroic power juxtaposed against roiling pathos\, and stunning tenderness and intimacy. Perhaps what makes the Op.44 No.3 quartet most remarkable is that within the expansive expression of the work\, often sounding boundless and symphonic in scale\, Mendelssohn manages to also cultivate a delicacy in the music that is poetic and vulnerable. \nThe broad sonata form first movement is propelled by an opening four-note motive heard at the outset in the first violin\, a figure that when it’s not in the foreground as an ingredient in the first theme\, infuses the music with a crackling energy and forward momentum throughout the four instruments. The more rhapsodic second theme helps to calm and soothe the texture\, but the first theme material is always lurking near\, ready to retake the spotlight. \nThe second movement scherzo\, a style of movement that Mendelssohn became famous for because of the bright energy he created\, is another example of what and can be done with an established form in the hands of genius. Shifting from E-flat Major to the relative key of C minor\, Mendelssohn conjures a surprisingly dark landscape that\, while fleet-footed\, feels always poised to burst forth with an ominous power. Even in the more languid second theme\, Mendelssohn keeps the movement percolating throughout\, never letting it escape the brooding running lines in all four instruments. A sinister unison culminates the dramatic ride through the movement\, as Mendelssohn brings the lines of the four instruments of the quartet together for a final wind-whipped statement of the first theme. \nThe slow third movement\, set in the richness of A-flat Major\, begins as a lyrical love song\, with a hymn-like pace and texture\, balanced and beautiful. As the movement progresses\, Mendelssohn’s introduction of searching sixteenth note lines adds a sense of unresolved angst\, and eventually\, he brings these moving lines to the expressive forefront. Mendelssohn’s compositional virtuosity blurs the ABA form of the movement\, instead painting a lamenting love poem that yearns for resolution\, eventually coming to a peaceful close. \nThe finale returns to the spirit and key of the first movement\, presenting a self-assured celebratory character that is both brilliant and fiery. Arpeggios and scales are passed between the four instruments\, changing speed and direction unpredictably throughout\, and moments of temporary calm are short-lived as the ebullience of the opening reclaims the lead\, spinning the movement to its celebratory finish. \n  \nPeter Ilyich Tchaikovsky (1840-1893): String Quartet No. 3 in E-flat minor\, Op. 30 \nWhen listening to the exquisite precision and beauty of Tchaikovsky’s works for string quartet\, it is difficult to comprehend that this genre was not actually what he became best known for. Not only did he write only three string quartets (plus an earlier quartet\, Op. posth.)\, but his complete output of chamber music is a mere six works. Nonetheless\, each work is a masterpiece\, and rivals most of the greatest works in the repertoire. Tchaikovsky wrote his final string quartet in one month during the spring of 1876\, and dedicated it to the memory of his dear friend and colleague\, Ferdinand Laub. Laub\, who died the year before\, was an acclaimed Czech violinist who had been the first violinist in the premieres of Tchaikovsky’s first two string quartets. The Quartet No. 3 received its first performance in the apartment of a friend\, and then two weeks later\, had audiences weeping at the formal public premiere. \nThe opening of the first movement is somber and plaintive\, and the first violin leads an expressive hymn. Pizzicatti in the lower three instruments serve to usher in a funeral march that features a soaring theme in the first violin. Tragic yet hopeful\, the music processes through a cello solo and back to the lamenting first violin. This introduction gives way to the body of the sonata form first movement. Although more effusive and energetic\, the first theme is still ruminative in its expression\, only occasionally giving way to robust outbursts. The arching second theme is more comforting in nature\, and helps to set up a wonderful contrast of textures that Tchaikovsky exploits in the thorny development section. The lament of the first movement concludes with a revisit to the opening funeral march\, now more poignant\, with richer harmonies and a heightened expression. \nThe second movement is a bright scherzo in duple meter that sounds a bit more like Russian dance music than a traditional scherzo. The fun of the movement is Tchaikovsky’s unpredictable use of accents and his clever orchestration of the passing of lines between instruments. A lyrical center section serves as the trio of the movement\, and is led by a beautiful viola solo\, and then extended by the first violin. Tchaikovsky ingeniously weaves the return of the quick-footed scherzo back into the texture\, and before we know it\, we are again caught up in the dance of the opening. \nThe third movement Andante funebre is the emotional focal point of the quartet for Tchaikovsky\, and leaves no doubt about the depth of his despair for the loss of his friend. The entire movement is played with mutes on the instruments\, giving the sound of the quartet a veiled\, distant\, and eerie quality. Massive chords\, tortured by unexpected internal dissonances\, are punctuated by a heartbeat rhythm. Pizzicatti traveling through all four instruments in the quartet give a sense of ticking clock\, before the music transitions back to the march of the opening. A beating heart in the second violin\, nestled inside the texture of the quartet\, helps to carry the music to the ethereal center section of the movement. The emergence of the ravishing center section makes the return to the opening funeral march that much more painful\, as Tchaikovsky steers the music to its tragic\, desolate end. \nThe finale is a spirited movement full of Russian flavored melodies\, and punctuated by offbeat accents that give the music a youthful zeal. There is quite a bit of repetition of thematic material\, but Tchaikovsky manages to create variety through an ever-changing orchestration of the instruments and stretti (imitation of motives in close succession). At the end of the movement\, Tchaikovsky revisits the Andante march from the opening of the first movement\, reminding us of the tortured\, weighty music that has come before. Then\, without warning\, a Vivace coda bursts forth\, providing the movement and quartet with a dazzling and hopeful ending. \nNotes by Kurt Baldwin \n[/accordion-item] \n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nClaire Givens Violins – Instrument loans\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging \n[/accordion-item] \n[/accordion]
URL:https://www.micm.org/event/arianna-quartet-062621/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210618T173000
DTEND;TZID=America/Chicago:20210618T173000
DTSTAMP:20260524T221430
CREATED:20210527T181624Z
LAST-MODIFIED:20210709T165525Z
UID:3437-1624037400-1624037400@www.micm.org
SUMMARY:Prairie Winds Quintet plays Piazzola and Szervansky
DESCRIPTION:Madeline Island Chamber Music is pleased to present The Prairie Winds in concert on Madeline Island. \nThis event will also be available on Facebook Live. \n\nPROGRAM \nJONATHAN KEEBLE\, Flute; SUSAN WARNER\, Clarinet\nLAURA GRIFFITHS\, Oboe; FRITZ FOSS\, Horn; TIMOTHY McGOVERN\, Bassoon \nLibertango \nAstor Piazzolla\nArr. by Jeff Scott \nWind Quintet No. 2 \nEndre Szervanszky \nI. Adagi\, Alegro moderato\nII. Allegro scherzoso\nIII. Andante\nIV. Allegro vivace \nNight at the Opera  \nLatin Heat \n[accordion clicktoclose=”true” tag=”h4″ scroll=”0″]\n[accordion-item title=”Program Notes”] \nAstor Piazzolla (1921-1992): Libertango\nLibertango is an exuberant song of liberty and artistic independence\, written after Piazzolla had left his homeland of Argentina and moved to Italy. Easily one of Piazzolla’s most recognizable works\, Libertango has seen countless rearrangements and has been recorded by artists and ensembles on all instruments\, across all genres\, around the world.  \nEndre Szervánszky (1911-1977): Wind Quintet No. 1\n Endre Szervánszky’s First Wind Quintet is rooted in Hungarian musical traditions. An expressive opening from the oboe leads into syncopated rhythms\, virtuosic dance passages\, and celebratory fanfares from the horn. Later movements include a lyrical clarinet melody and dynamic contrasts of both tender\, songful moments and vibrant\, high energy\, fast-paced excitement. \nJulio Medaglia (b. 1938): Belle Epoque in Sud-America\nJacob Gade (1879-1963) / arr. Stig Jorgenson: Jalousie (Tango Tzigane)\nJosé-Luis Hurtado (b. 1975): Son de la Bruja\nPaquito D’Rivera ( b. 1948): Wapango \nJulio Medaglia’s Belle Epoque is a joyous suite for winds\, providing a taste of the lively culture and traditions of South America.  \nJalousie is a passionate gypsy tango written by Danish composer Jacob Gade\, who was inspired after reading a news report of a jealousy-driven crime involving two lovers. \nSon de la Bruja\, by José-Luis Hurtado\, is an arrangement of a Mexican folk song about a seductive witch.  \nPaquito D’Rivera’s Wapango\, based on the huapango Mexican folk dance\, features colorful Cuban rhythms in a staccato style.  \n[/accordion-item] \n[accordion-item title=”Contributors to Madeline Island Chamber Music”] \n2021 Quartet Sponsorship\nThe Julius Quartet’s Emerging Artists Quartet-in-Residence experience is supported by Robert and Carolyn Nelson. \nThe Emerging Artists Quartet-in-Residence is a new program of Madeline Island Chamber Music and provides a comprehensive package of performances\, teaching opportunities\, and mentorship during five weeks on-site at Madeline Island Chamber Music\, and one week in Minneapolis-St. Paul. \nMadeline Island Chamber Music is very grateful to Bob and Carolyn for supporting the inaugural year of this program and this opportunity for the Julius Quartet. \nDesignated Multi-Year Scholarships and Fellowships\nArt and Gail Edwards Fellowship\nEstablished in 2015 by former Madeline Island Chamber Music Board member Jan Edwards and her sister Gail Danae Kasbi\, the Art and Gail Edwards Fellowship provides Fellowship funding in memory of their parents who were longtime supporters of Madeline Island Chamber Music. \nEdith Wells Bristol Scholarship Fund\nThe Edith Wells Bristol Scholarship was established to honor Edie Bristol\, a longtime Board member and supporter of Madeline Island Chamber Music. Income from this restricted fund is used to provide scholarship aid to one or more deserving students. \nPace Woods Fellowship\nEstablished in 2013 by the Pace Woods Foundation\, whose mission is “to improve the lives and futures of individuals.” It was given in memory of Pace Woods and provides Fellowship funding for 2020-2022. \nPries/Hutchinson Scholarship Fund\nCreated by Constance Pries and her late husband James in memory of Frederick O. Hutchinson\, their good friend and Madeline Island Chamber Music’s Board Chair in 1989\, this fully-endowed scholarship fund provides full tuition\, room\, and board annually. \nPrivate Foundation Fellowship\nThis anonymous foundation began funding an annual fellowship in 2014 while simultaneously contributing additional funds to fully endow it by 2024. \n2021 Fellowships\nBiebl Family Fellowship\nFunded by Madeline Island Chamber Music Advisory Committee member Kathleen Biebl and her husband Anthony. \nJonathan Swartz Fellowship\nFunded by MacPhail Center for Music Board member Linda Mack and her husband Warren in honor of Madeline Island Chamber Music’s artistic director Jonathan Swartz. \nVicki and Chip Emery Fellowship\nFunded by MacPhail Center for Music Board member Chip Emery and his wife Vicki. \nThomas George Fellowship\nFunded by the donors and supporters of MacPhail in honor of Madeline Island Chamber Music’s first executive director who established the program in 1985. \nBob and Carolyn Nelson Fellowship\nFunded by former Madeline Island Chamber Music Board member Bob Nelson and his wife Carolyn. \nVirginia K. Townley Fellowship\nFunded by former Madeline Island Chamber Music Board member Thomas T. Rogers in memory of his mother\, Virginia K. Townley. \nMadeline Island Chamber Music provides more than half of our students with financial aid ranging from modest scholarship assistance to full Fellowships covering their entire program experience. We are grateful to our donors for their commitment to these Fellowships and scholarships. \nIndividual and Institutional Contributors\nMadeline Island Chamber Music gratefully acknowledges the following individuals and institutions that made gifts to us\, dating from prior to the cancelled 2020 season through June 1\, 2021. \n$20\,000 and Above\nArt and Gail Edwards Donor Advised Fund of The Minneapolis Foundation\nAnthony W. and Kathleen M. Biebl\nDorothy Richard Starling Foundation\nChip and Vicki Emery\nWarren and Linda Mack\nBob and Carolyn Nelson\nSonja and Lowell Noteboom\nPace Woods Foundation\nPrivate Foundation\nConstance Pries\nThomas T. Rogers\nKatherine and Douglas Skor \n$10\,000 to $19\,999\nMark William Banks Trust\nEstate of Edith W. Bristol\nThe Clinton Family Fund\nBob Davidson\nPeter Havens\nAnn and Terry Huntrods\nNancy Platt Jones and William Jones\nMAHADH Fund of HRK Foundation\nCaroline P. Marshall\nCPM Legacy Fund of St. Paul Foundation\nTom Murtha and Stefanie Lenway\nMary J. Streitz\nVirginia and Ed Stringer \n$5\,000-$9\,999\nThe Dorsey & Whitney Foundation\nEdward and Dawn Michael\nBethany and Christopher Owen\nRobin Petty\nTaft Stettinius & Hollister LLP \n$2\,000-$4\,999\nSusan and Paul Arneson\nGretchen and Mark W.* Banks\nFran Bly and Charles Hample\nAnn and Bruce Christensen\nBetty Jayne Dahlberg\nDuluth-Superior Area Community Foundation\nThe Fredrikson & Byron Foundation\nLeland and Bev Gehrke\nPhilip and Amy Goldman\nAlex Haecker\nMary Louise and Patrick Irvine\nJohn S. Winston Family Fund of the Minneapolis Foundation\nDouglas R. Johnson\nJohn Kaul and Gloria Gunville\nDrs. Sidney and Lynne Levitsky\nRBC Wealth Management\nElizabeth and James Ramsland\nMary Hulings Rice*\nPeter and Sara Richter\nEmily Skor and Sean Cairncross\nJanet and Harvey Sternat\nMarilyn and William Van Sant\nFrederick and Eleanor Winston \n$1\,000-$1\,999\nArts Midwest\nJudith and Merrill Blau\nDemaris Brinton and Theron O’Connor\nRichard Chandler and Heidi Pankoke\nSusan T. Chandler and Bruce McLellan\nMaureen T. Curran\nDellwood Foundation Inc.\nJay Erstling and Pixie Martin\nGeorge and Judith Haecker\nMarcia and Burke Henry\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nKathleen McCartin and Andre Lewis\nPolly G. O’Brien\nFred and Gloria Sewell\nGary Sherman\nBrian and Nancy Siska \n$500-$999\nAnonymous\nTracy Bennett and Robert Bristol\nGreg Bernstein\nKeith and Barbara Clayton\nDorothy M. Dalquist\nMissy and Dave Donkers\nEnergizer Holdings\, Inc.\nKenneth Goldsmith\nCarol and Edward Hancock\nDorothy Horns and James Richardson\nBetsy Knode and James E. Newton\nMagellan Cares Foundation\nLauren P. March\nPaul Markwardt and Richard Allendorf\nSheila Merzer\nGregory J. O’Leary\nTracy Peterson\nBarbara Pittman\nTheresa and Theodore Priem\nConnie and Lew Remele\nSusan Saxl and Robert Kramer\nRichard and Judith Schmidt\nCharlie Stringer and Kristin Hahn Stringer\nPaul A. Sturgul\nJonathan Swartz\nMark and Deb Swedberg\nAnnelise Swigert\nMr. and Mrs. James Wiltz \n$250-$499\nLois Albrecht\nRobert Alexander and Becky Stemper\nDon Baur and Phebe Jensch\nAnn P. Buran\nJames Burmeister\nKyle and Shelley Carpenter\nCindy and Michael Dalzell\nKari and Peter Davidson\nJane Emison\nRose Fahien\nDonald H. Gray\, Jr.\nEllen Jones and Bob McKlveen\nMin-Jeong Koh\nJoann and Don Leavenworth\nLucas Capital Management\nSteven and Cynthia Mueller\nAudrey and Rusty Nelson\nBarbara and James Nendze\nDana and Kathy Noteboom\nRobert and Jane Post\nKatherine and Richard Rosenthal\nKathleen Russell\nPat and Judy Sebranek\nHarvey and Nancy Smith\nMarjorie J. Smith\n1. Michael Streitz\nJean Thomson\nRobin Trinko-Russell and Gary Russell\nPeter Tropman and Virginia Graves\nTyson Family Charitable Fund of the American Endowment Foundation\nDonna Woods and Dr. Jon Hinrichs \n$100-$249\nPaul Babcock\nJudith and Terence Ball\nLucy Banta\nDavid Bjork and Jeff Bengtson\nHans and Christina Bjornson\nSusan and Sandy Boyd\nJudith and Arnold Brier\nSusan and Tom Brust\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nCecil and Penny Chally\nSheila Coyle\nAlice Dickinson\nMrs. Douglas Dillard\nMichael and Marilyn Dunlap\nMartha W. Edgar\nVictoria Erhart\nSusanne K. Gens\nDebbie Giachini\nJanice and Fritz Grutzner\nBob and Janet Hanafin\nSusan Jane Hedman\nAndra and Patricia Herriott\nNell Hillsley and Van Lawrence\nMary Abbe Hintz\nAlan and Judith Hoffman\nDrusilla Cagnoni and Alexander Jacobs\nLarry Kaufmann\nCatherine and Dennis Kilbane\nRichard Killmer\nSusan and Edward Korleski\nMs. Judy Lin\nMargaret Longlet\nBrook W. Martin\nRichard and Mickey Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nSheila Mitchell\nCaroline and Greg Moore\nDavid and Audrey Nelson\nArdelle Norgaard\nMary D. O’Brien\nGil Overson\nPeter and Joni Petschauer\nKathleen and Gene Ramsay\nPhyllis and Gary Reiman\nJudeth Reinke\nSarah Renner\nRuss and Karen Rubin\nBarbara and Bob Scott\nPitnarry Shin and Kyu-Young Kim\nMarc D. Smith\nCarolyn P. Sneed\nCynthia Turecamo\nMary B. Virre\nMaxine Wallin\nRobert Webb\nZoe V. A. Wells\nPhilip H. Willkie\nJames Wittenberg and Pam Weiner\nEvelyn S. Wright\nWilson Yates \n$1-$99\nCarole J. Anderson\nLinda Schaars Barnes\nAngela and Ralph Breeden\nPeggy and Joseph Carver\nKaren Ruedi Crowell and Mike Crowell\nYvonne Foster\nJeff Goldenberg\nKatie Heilman\nMiriam Hof\nJoel and Linda Jackson\nDr. and Mrs. Kenneth N. Krutsch\nJosh LaGrave\nJosh Lavik\nHoward Ledin\nGay J. Lindquist\nKathleen Lytle and Allen Hoglund\nDennis and Barbara McCann\nRebecca E. McDowell\nMr. and Mrs. Greg Miller\nSarah and Nile Norton\nAllen and Gail Ofstehage\nDawn Olver\nPeter M. Rogers\nAbigail and Charlie Singleton\nAnn and Willy Stern\nStanley Wai and Gayle Jorgens\nJessica S. Walker\nMarty Vadis\nGingie Ward\nKelly Webb\nPeggy and Richard Williams \nGifts in Honor Of\nEdie Bristol\nLeslie Livingston and David Miller \nDavid J. Buran\nAnn P. Buran \nThomas M. George\nMary Streitz \nMarcia & Burke Henry\nPhyllis and Gary Reiman \nAnn Huntrods\nKathleen and Gene Ramsay  \nLinda Mack\nJay Erstling and Pixie Martin\nWilson Yates \nWarren Mack\nWilson Yates \nThomas Murtha\nGregory J. O’Leary \nSonja and Lowell Noteboom\nThe Clinton Family Fund \nDr. and Mrs. Joseph Pittman\nBarbara Pittman \nMary Hamel Scallen\nMary D. O’Brien \nDr. Irving Shapiro\nMary J. Streitz \nAbbott Sherwin\nKathleen and Gene Ramsay \nIsaac Sherwin\nKathleen and Gene Ramsay \nGifts in Memory Of\nMark W. Banks\nGay J. Lindquist\nKatherine and Douglas Skor \nEdie Bristol\nLucy Banta\nTracy Bennett and Robert Bristol\nAngela and Ralph Breeden\nLaura Nash Campbell and Eric Johnson\nAnne Carter\nPeggy and Joseph Carver\nMrs. Douglas Dillard\nYvonne Foster\nDebbie Giachini\nLarry Kaufmann\nGeorge and Pinny Kuckel\nLeslie Livingston and David Miller\nLucas Capital Management\nLauren P. March\nBrook W. Martin\nMeredith and Brian McCormick Jr.\nPeter and Cheryl McMullen\nMr. and Mrs. Greg Miller\nCaroline and Greg Moore\nDawn Olver\nPeter and Joni Petschauer\nRobert and Jane Post\nJudeth Reinke\nKatherine and Douglas Skor\nCynthia Turecamo\nTyson Family Charitable Fund of the American Endowment Foundation\nMary B. Virre\nKelly Webb\nRobert Webb\nPeggy and Richard Williams \nMichal Bristol\nLeslie Livingston and David Miller \nMarilyn Davidson\nKari and Peter Davidson\nHoward Ledin \nMarion C. Gray\nDonald H. Gray\, Jr. \nWilliam Griffith Harbison\nCarol and Edward Hancock \nBarbara Peet\nSarah Renner \nJames Pries\nDr. and Mrs. Arnold Brier\nBarbara and James Nendze \nDr. Irving Shapiro\nJeff Goldenberg\nWarren and Linda Mack \nJanet Shapiro\nMary J. Streitz \n*Deceased \nPlease excuse any errors or omissions that may have occurred during Madeline Island Chamber Music’s transition to MacPhail. If we have inadvertently omitted your name or listed it incorrectly\, please accept our apology and contact Erika Malpass at malpass.erika@macphail.org. \n In-Kind Contributions\nDorsey & Whitney LLP / Mary Streitz\, Esq. – Professional fees and meeting facilities\nFamily of Alice Cadotte – Lodging\nClaire Givens Violins – Instrument loans\nLathrop GPM / Greg A. Larson\, Esq. – Professional fees\nMadeline Island Ferry Line – Transportation\nSylvan Design – Fountain maintenance\nTaft Stettinius & Hollister LLP – Meeting facilities\nMark and Ewa Weir – Lodging \n[/accordion-item] \n[/accordion] \n\nTICKET INFORMATION\n* ATTENTION: Concerts at the Clubhouse are reserved seating. A limited number of physically distanced seats will be available to purchase for this concert. For more information please call 715-747-2561.
URL:https://www.micm.org/event/prairie-winds-play-piazzola-and-szervansky/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200626T200000
DTEND;TZID=America/Chicago:20200626T200000
DTSTAMP:20260524T221430
CREATED:20210621T205919Z
LAST-MODIFIED:20210621T205919Z
UID:3282-1593201600-1593201600@www.micm.org
SUMMARY:Arianna String Quartet on Madeline Island
DESCRIPTION:PROGRAM \n——————————————————\nJOHN McGROSSO\, Violin; JULIA SAKHAROVA\, Violin\nJOANNA MENDOZA\, Viola; KURT BALDWIN\, Cello \nMadeline Island Chamber Music is pleased to present the Arianna String Quartet in concert at the Clubhouse on Madeline Island. One of the most accomplished American string quartets today\, the Arianna String Quartet garnered national attention upon winning Grand Prize in the Fischoff Chamber Music Competition and have continued to amass accolades since. The Arianna Quartet has appeared throughout North America\, South America\, Europe\, and Asia\, with frequent visits to Brazil and South Africa. They have also collaborated with many of the world’s finest musicians\, including members of the Vermeer\, Tokyo\, Cleveland\, and Juilliard Quartets\, and their live performances have been heard on National Public Radio’s Performance Today\, and Live from Music Mountain\, which broadcasts to 125 stations in the U.S. and to 35 countries. \nNow in their 27th season\, highlights for 2018-19 include appearances in Mexico at the Festival Internacional de Musica Naolinco\, as well as returns to the Madeline Island Chamber Music Festival and Credo Music Festival\, the completion of their recordings of the complete quartets of Beethoven for Centaur Records\, and concerts throughout the United States.  The ASQ also looks forward to the continuation of their two summer festivals in St. Louis\, the Arianna Chamber Music Festival and the UMSL String Orchestra Camp. \n \n————— \nTICKET INFORMATION\nConcerts at the clubhouse are reserved seating. For more information regarding tickets please call 715-747-2561.
URL:https://www.micm.org/event/arianna-island-062620/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190720T200000
DTEND;TZID=America/Chicago:20190720T200000
DTSTAMP:20260524T221430
CREATED:20190201T215430Z
LAST-MODIFIED:20190720T210058Z
UID:2385-1563652800-1563652800@www.micm.org
SUMMARY:Rostad and Díaz with Fellowship String Quartets
DESCRIPTION:Advance ticket sales are now closed.\nATTENTION: A limited number of tickets will be available for purchase at-the-door starting at 7:20 pm.\nPROGRAM\nBeethoven: Quintet in c minor\, Op. 104\nBrahms: Quintet\, Op.34\n——————————————————\nMASUMI ROSTAD\, violist\nANDRÉS DÍAZ\, cellist \nMadeline Island Chamber Music is pleased to present violist Masumi Rostad and cellist Andrés Díaz with the 2019 Fellowship String Quartets in concert on Madeline Island! \nGrammy Award-winning Japanese-Norwegian violist Masumi Per Rostad has been described as an “electrifying\, poetic and sensitive musician” with an “understated yet commanding presence” by critics and is in demand as a soloist\, chamber musician\, and teacher as well as an active contributor to many online and print publications. While studying at the Julliard School he was awarded the ‘Lillian Fuchs Award’ for outstanding graduating violist. He also won The Juilliard School Concerto Competition and performed the world premiere of Michael White’s Viola Concerto in Lincoln Center’s Avery Fisher Hall\, with conductor James DePreist. \nMr. Díaz has exhilarated both critics and audiences with his intense and charismatic performances. He has earned exceptional reviews for his “strongly personal interpretive vision” (The New York Times) and his “bold and imaginative” playing (The Boston Globe) and was awarded the prestigious Avery Fisher Career Grant as well as a generous grant from the Susan W. Rose Fund for Music in 1998. His appearances at the Tanglewood festival earned him the Pierre Mayer Memorial Award for Outstanding String Player and in 2009 was nominated for a Latin Grammy. \n————— \nTICKET INFORMATION\nATTENTION: A limited number of tickets will be available for purchase at-the-door starting at 7:20 pm.\nConcerts at the clubhouse are reserved seating. For more information regarding tickets please call 715-747-2561.
URL:https://www.micm.org/event/diaz-rostad-fellowship-072019/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190713T193000
DTEND;TZID=America/Chicago:20190713T193000
DTSTAMP:20260524T221430
CREATED:20190201T215410Z
LAST-MODIFIED:20191009T165226Z
UID:2382-1563046200-1563046200@www.micm.org
SUMMARY:St. Lawrence String Quartet on Madeline Island
DESCRIPTION:Advance ticket sales are now closed. Tickets will be available for purchase at-the-door starting at 6:50 pm.\nPlease Note the earlier 7:30pm start time. This performance will include 2 intermissions.\nPROGRAM\nFranz Joseph Haydn: 6 String Quartets of Op. 20\, The Sun Quartets\n——————————————————\nGEOFF NUTTALL\, Violin; OWEN DALBY\, Violin\nLESLEY ROBERTSON\, Viola; CHRISTOPHER COSTANZA\, Cello \nMadeline Island Chamber Music is pleased to present the St. Lawrence String Quartet in concert at the Clubhouse on Madeline Island. The SLSQ is renowned for the intensity of its performances\, its breadth of repertoire\, and its commitment to concert experiences that are at once intellectually exciting and emotionally alive. They established an ongoing residency at Spoleto Festival USA\, made prize-winning recordings for EMI of music by Schumann\, Tchaikovsky\, and Golijov\, earning two Grammy nominations and a host of other prizes before being appointed ensemble-in-residence at Stanford University in 1999. The Quartet is also especially dedicated to the music of Haydn\, and recording his groundbreaking set of six Op. 20 quartets in high-definition video for a free\, universal release online in the 2018-19 season. According to The New Yorker\, “…no other North American quartet plays the music of Haydn with more intelligence\, expressivity\, and force…” \nHighlights in 2018-19 include performances with pianist Inon Barnatan\, and the long-awaited release of their recording of all six Haydn Op. 20 “Sun” Quartets. \nThe St. Lawrence String Quartet’s presentation is supported by the Arts Midwest Touring Fund\, a program of Arts Midwest funded by the National Endowment for the Arts with additional contributions from the Minnesota State Arts Board and the Crane Group. \n————— \nTICKET INFORMATION\nAdvance ticket sales are now closed. Tickets will be available for purchase at-the-door starting at 6:50 pm.\nConcerts at the clubhouse are reserved seating. For more information please call 715-747-2561.
URL:https://www.micm.org/event/st-lawrence-island-071319/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190706T170000
DTEND;TZID=America/Chicago:20190706T170000
DTSTAMP:20260524T221430
CREATED:20190201T215357Z
LAST-MODIFIED:20190706T201549Z
UID:2380-1562432400-1562432400@www.micm.org
SUMMARY:Dover Quartet on Madeline Island
DESCRIPTION:Advance ticket sales are now closed. Tickets available at the door (see below) *\nPlease Note the earlier 5:00pm start time.\nPROGRAM\nBritten: String Quartet No. 1 in D major\, Op. 25\nCaroline Shaw: Plan & Elevation (The Grounds of Dumbarton Oaks) (2015)\nIntermission\nBrahms: String Quartet No. 3 in B-flat Major\, Op. 67\n——————————————————\nJOEL LINK\, Violin; BRYAN LEE\, Violin\nMILENA PAJARO-VAN DE STADT\, Viola; CAMDEN SHAW\, Cello \nMadeline Island Chamber Music is pleased to present the Dover Quartet in concert at the Clubhouse on Madeline Island. The phenomenal Dover Quartet catapulted to international stardom following a stunning sweep of the 2013 Banff Competition\, at which they won every prize. Named the Cleveland Quartet Award-winner\, and honored with the coveted Avery Fisher Career Grant\, the Dover has become one of the most in-demand ensembles in the world. \nIn 2018-19 the Dover Quartet performs more than a hundred concerts around North America\, including performances at the Kennedy Center\, San Francisco Performances\, the Philadelphia Chamber Music Society\, Spivey Hall\, Boston’s Celebrity Series\, the Chamber Music Society of Detroit\, and Carnegie Hall. In addition\, the Dover’s season features tours of Hong Kong\, Europe\, and Australia\, collaborations with Emanuel Ax\, Inon Barnatan\, Peter Serkin\, Anthony McGill\, and Roomful of Teeth\, and premieres of new works by Caroline Shaw and Matan Porat. \n—————\nTICKET INFORMATION\n* ATTENTION: A limited number of tickets will be available for purchase at-the-door starting at 4:15pm.\nConcerts at the clubhouse are reserved seating. For more information regarding tickets please call 715-747-2561.
URL:https://www.micm.org/event/dover-island-070619/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190628T200000
DTEND;TZID=America/Chicago:20190628T200000
DTSTAMP:20260524T221430
CREATED:20190201T215327Z
LAST-MODIFIED:20190628T211639Z
UID:2378-1561752000-1561752000@www.micm.org
SUMMARY:American String Quartet on Madeline Island
DESCRIPTION:Advance ticket sales are now closed. Tickets will be available for purchase at-the-door starting at 7:30pm.\nPROGRAM\nShostakovich: String Quartet no. 7 in F-sharp minor\, Op. 108\nRavel: String Quartet in F Major\nIntermission\nBeethoven: String Quartet in C Major\, Op. 59 No. 3\n——————————————————\nPETER WINOGRAD\, Violin; LAURIE CARNEY\, Violin\nDANIEL AVSHALOMOV\, Viola; WOLFRAM KOESSEL\, Cello \nMadeline Island Chamber Music is pleased to present the American String Quartet in concert at the Clubhouse on Madeline Island. Internationally recognized as one of the world’s finest quartets\, the American String Quartet has spent decades honing the luxurious sound for which it is famous. The Quartet will celebrate its 45th anniversary in 2019\, and\, in its years of touring\, has performed in all fifty states and has appeared in the most important concert halls worldwide. The Quartet’s 2017-18 season featured a major project together with the National Book Award-winning author Phil Klay and the poet Tom Sleigh in a groundbreaking program combining music and readings that examines the effects of war on people\, their hearts\, and their minds. \nThis past season in 2018\, the American String Quartet was selected by the Asociación de Críticos Musicales de la Argentina as ‘the best foreign chamber ensemble’ of 2017. The award celebrates the Quartet’s performance at the Teatro Coliseo in Buenos Aires\, along with its long history of successful performances throughout South America. \n—————\nTICKET INFORMATION\nConcerts at the clubhouse are reserved seating. For more information regarding tickets please call 715-747-2561.
URL:https://www.micm.org/event/american-island-062819/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190622T200000
DTEND;TZID=America/Chicago:20190622T200000
DTSTAMP:20260524T221430
CREATED:20190201T215239Z
LAST-MODIFIED:20190701T173913Z
UID:2377-1561233600-1561233600@www.micm.org
SUMMARY:Arianna String Quartet on Madeline Island
DESCRIPTION:PROGRAM\nMendelssohn: String Quartet in E-flat Major\, Op. 12\nDaniel Schnyder: String Quartet No. 4\, “Great Places” (2007)\nIntermission\nSchubert: String Quartet No. 14 in D minor\, “Death and the Maiden”\n——————————————————\nJOHN McGROSSO\, Violin; JULIA SAKHAROVA\, Violin\nJOANNA MENDOZA\, Viola; KURT BALDWIN\, Cello \nMadeline Island Chamber Music is pleased to present the Arianna String Quartet in concert at the Clubhouse on Madeline Island. One of the most accomplished American string quartets today\, the Arianna String Quartet garnered national attention upon winning Grand Prize in the Fischoff Chamber Music Competition and have continued to amass accolades since. The Arianna Quartet has appeared throughout North America\, South America\, Europe\, and Asia\, with frequent visits to Brazil and South Africa. They have also collaborated with many of the world’s finest musicians\, including members of the Vermeer\, Tokyo\, Cleveland\, and Juilliard Quartets\, and their live performances have been heard on National Public Radio’s Performance Today\, and Live from Music Mountain\, which broadcasts to 125 stations in the U.S. and to 35 countries. \nNow in their 27th season\, highlights for 2018-19 include appearances in Mexico at the Festival Internacional de Musica Naolinco\, as well as returns to the Madeline Island Chamber Music Festival and Credo Music Festival\, the completion of their recordings of the complete quartets of Beethoven for Centaur Records\, and concerts throughout the United States.  The ASQ also looks forward to the continuation of their two summer festivals in St. Louis\, the Arianna Chamber Music Festival and the UMSL String Orchestra Camp. \n————— \nTICKET INFORMATION\nConcerts at the clubhouse are reserved seating. For more information regarding tickets please call 715-747-2561.
URL:https://www.micm.org/event/arianna-island-062219/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190614T200000
DTEND;TZID=America/Chicago:20190614T200000
DTSTAMP:20260524T221430
CREATED:20190201T215208Z
LAST-MODIFIED:20190622T210458Z
UID:2349-1560542400-1560542400@www.micm.org
SUMMARY:Prairie Winds on Madeline Island
DESCRIPTION:PROGRAM\nShostakovich: Waltz No. 2\nRameau: Gavotte with Six Doubles\nDanzi: Quintet in e minor\nScott: Startin’ Sumthin’\nUngar: Ashokan Farewell\nMachala: American Folk Suite\nTraditional: Go Tell It on the Mountain\nColeman: Tzigane\ndel Aguila: “In Heaven” fr. Wind Quintet #2\n——————————————————\nJONATHAN KEEBLE\, Flute; SUSAN WARNER\, Clarinet\nLAURA GRIFFITHS\, Oboe; FRITZ FOSS\, Horn; TIMOTHY McGOVERN\, Bassoon \nMadeline Island Chamber Music is pleased to present The Prairie Winds in concert on Madeline Island. Since 1996\, The Prairie Winds have been captivating audiences throughout North America with performances that present the finest wind quintet literature. They have performed at numerous celebrated music festivals\, including Ravinia\, Juneau Jazz and Classics\, Chamber Music America’s Education and Residency Institute\, and the Britt Festival in Oregon\, where the group served as quintet-in-residence for four years. In 2003\, the Prairie Winds began their annual residency with Madeline Island Chamber Music offering a chamber music program for collegiate wind players. \nIn addition to their busy touring schedule\, the quintet also has an active radio presence—recent broadcasts include full-length concerts for Chicago’s WFMT “Live from Studio One” program and for listeners of Minnesota Public Radio. The group also has collaborated several times with pianist Ralph Votapek\, a Van Cliburn International Piano Competition gold medalist\, with whom they performed works for winds and piano by Mozart\, Beethoven\, and Poulenc. \n————— \nTICKET INFORMATION\nConcerts at the clubhouse are reserved seating. For more information regarding tickets please call 715-747-2561.
URL:https://www.micm.org/event/prairie-winds-island-061419/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180721T200000
DTEND;TZID=America/Chicago:20180721T200000
DTSTAMP:20260524T221430
CREATED:20180116T190244Z
LAST-MODIFIED:20180721T202621Z
UID:1233-1532203200-1532203200@www.micm.org
SUMMARY:Violist Masumi Rostad and Cellist Chris Costanza with Fellowship String Quartets
DESCRIPTION:Tickets will be available for purchase at the Clubhouse before the concert beginning at 7:15 PM. Available seating is limited. \nPROGRAM\nMendelssohn: Quintet No. 2 in B-flat major\, Op. 87\nSchubert: Quintet in C Major\, D. 956 \nMASUMI ROSTAD\, violist\nCHRISTOPHER COSTANZA\, cellist \nMadeline Island Chamber Music is pleased to present violist Masumi Rostad and cellist Christopher Costanza with the 2018 Fellowship String Quartets in concert on Madeline Island! \n——————– \nBest available seating will be assigned\, unless otherwise noted at checkout.\nFor more information regarding reserved seating call 715-747-2561.
URL:https://www.micm.org/event/fellowship-string-quartets-string-faculty/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180714T200000
DTEND;TZID=America/Chicago:20180714T200000
DTSTAMP:20260524T221430
CREATED:20180116T185944Z
LAST-MODIFIED:20180714T210520Z
UID:1231-1531598400-1531598400@www.micm.org
SUMMARY:Borromeo String Quartet
DESCRIPTION:Tickets will be available for purchase at the Clubhouse before the concert beginning at 7:00 PM. Seating is limited. \nPROGRAM\nBach: The Goldberg Variations (arr. for string quartet by Nicholas Kitchen)\nand works by Schubert and Mendelssohn \nNICHOLAS KITCHEN\, Violin; KRISTOPHER TONG\, Violin\nMAI MOTOBUCHI\, Viola; YEESUN KIM\, Cello \nMadeline Island Chamber Music is pleased to present the Borromeo String Quartet in concert on Madeline Island. The Borromeo is the recipient of numerous awards including Lincoln Center’s Martin E. Segal Award in 2001 and the Avery Fisher Career Grant in 2007. The quartet is also known for their deep analysis and understanding of composers’ works they perform\, and the incorporation of technology in their performances. They are currently the Faculty Quartet-in-Residence at New England Conservatory of Music\, and Visiting Quartet-in-Residence at Colorado State University at Fort Collins\, San Francisco Conservatory\, and Taos School of Music in New Mexico. \n——————– \nBest available seating will be assigned\, unless otherwise noted at checkout.\nFor more information regarding reserved seating call 715-747-2561.
URL:https://www.micm.org/event/borromeo-string-quartet/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180707T170000
DTEND;TZID=America/Chicago:20180707T170000
DTSTAMP:20260524T221430
CREATED:20180116T185450Z
LAST-MODIFIED:20180707T190242Z
UID:1230-1530982800-1530982800@www.micm.org
SUMMARY:Jupiter String Quartet
DESCRIPTION:Tickets will be available for purchase before the concert at the Clubhouse starting at 4:15 PM. \n(Please note the earlier time above) \nPROGRAM\nSchumann: Quartet No. 1 in a minor\, Op. 41 No. 1\nKati Agocs: New Work\, Title TBD\nBeethoven: Quartet No. 14 in c-sharp minor\, Op. 131 \nNELSON LEE\, violin; MEG FREIVOGEL\, violin\nLIZ FREIVOGEL\, viola; DANIEL McDONOUGH\, cello \nMadeline Island Chamber Music is pleased to present the Jupiter String Quartet in concert at the Clubhouse on Madeline Island. The Jupiter String Quartet stands at the forefront of the younger generation of classical chamber music ensembles. Formed in 2002\, they concertize across the United States\, Canada\, Europe\, Asia\, and South America performing the world’s finest halls. The quartet found early success with several chamber music honors\, including grand prize in the Banff International String Quartet Competition in 2004\, grand prize in the Fischoff National Chamber Music Competition in 2004\, winner of the Young Concert Artists International Competition in 2005\, the Chamber Music America’s Cleveland Quartet Award in 2007\, and the honorees of an Avery Fisher Career Grant in 2008. The Jupiter String quartet is in its 5th year as Artists-In-Residence at the University of Illinois\, Champaign-Urbana. \nThe Jupiter String Quartet’s presentation is supported by the Arts Midwest Touring Fund\, a program of Arts Midwest funded by the National Endowment for the Arts with additional contributions from the Minnesota State Arts Board and the Crane Group. \n——————– \nBest available seating will be assigned\, unless otherwise noted at checkout.\nFor more information regarding reserved seating call 715-747-2561.
URL:https://www.micm.org/event/jupiter-string-quartet-2/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180629T200000
DTEND;TZID=America/Chicago:20180629T200000
DTSTAMP:20260524T221430
CREATED:20180116T183854Z
LAST-MODIFIED:20180616T191006Z
UID:1228-1530302400-1530302400@www.micm.org
SUMMARY:Brooklyn Rider (SOLD-OUT)
DESCRIPTION:This event is currently sold out. Additional tickets may be available the day of. Please call our box office for more information at 715-747-2561. \nPROGRAM\nMozart: Quartet No. 14 in G Major\nPhilip Glass: String Quartet No. 6\nCaroline Shaw: World Premiere\, Title TBD *\nRavel: String Quartet in F Major \nJOHNNY GANDELSMAN\, Violin; COLIN JACOBSEN\, Violin\nNICHOLAS CORDS\, Viola; MICHAEL NICOLAS\, Cello \nMadeline Island Chamber Music is pleased to present Brooklyn Rider in concert on Madeline Island. Brooklyn Rider offers eclectic repertoire in gripping performances that continue to attract legions of fans and draw rave reviews from classical\, world\, and rock critics alike. The Pittsburgh Post-Gazette raves\, “They are four classical musicians performing with the energy of young rock stars jamming on their guitars\, a Beethoven-goes-indie foray into making classical music accessible but also celebrating why it was good in the first place.” \nThis concert will include the WORLD PREMIERE of a newly-commissioned work for string quartet by New York-based Pulitzer Prize-winning composer\, violinist\, and vocalist Caroline Shaw. \n* Madeline Island Chamber Music commission this piece to honor our former Board Chair Caroline Marshall for her remarkable and many contributions to our organization \n\n \nCAROLINE SHAW\, composer\nBased in New York\,  composer\, multi-instrumentalist\, and producer Caroline Shaw is the youngest recipient of the Pulitzer Prize for Music\, which she received in 2013. She is a member of the Grammy-winning ensemble Roomful of Teeth. Recent commissions include new works for the Dover Quartet\, the Calidore Quartet\, the Aizuri Quartet\, FLUX Quartet\, Brooklyn Rider\, Anne Sofie von Otter\, The Crossing\, Roomful of Teeth\, yMusic\, ACME\, ICE\, A Far Cry\, Philharmonia Baroque\, the Baltimore Symphony\, and Carnegie Hall’s Ensemble Connect. She will be present at the World Premiere and will conduct a post-performance conversation with the audience at the Clubhouse. \n\nBest available seating will be assigned\, unless otherwise noted at checkout.\nFor more information regarding reserved seating call 715-747-2561.
URL:https://www.micm.org/event/brooklyn-rider/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180623T200000
DTEND;TZID=America/Chicago:20180623T200000
DTSTAMP:20260524T221431
CREATED:20170503T124856Z
LAST-MODIFIED:20190501T184006Z
UID:323-1529784000-1529784000@www.micm.org
SUMMARY:Arianna String Quartet
DESCRIPTION:Tickets will be available for purchase before the concert at the Clubhouse starting at 7:15 PM. \nPROGRAM\nShostakovich: Quartet No. 1 in C Major\, Op. 49\nBartok: Quartet in a minor\, Op.17\nKim Portnoy: “Blues for Anton” (recent commission)\nBrahms: String Quintet No. 1 in F Major\, Op. 88 \nJOHN McGROSSO\, Violin; JULIA SAKHAROVA\, Violin\nJOANNA MENDOZA\, Viola; KURT BALDWIN\, Cello\nWith special guest JONATHAN SWARTZ\, violin \nMadeline Island Chamber Music is pleased to present the Arianna String Quartet in concert at the Clubhouse on Madeline Island. One of the most accomplished American string quartets today\, the Arianna String Quartet garnered national attention upon winning Grand Prize in the Fischoff Chamber Music Competition and have continued to amass accolades since. The Arianna Quartet has appeared throughout North America\, South America\, Europe\, and Asia\, with frequent visits to Brazil and South Africa. They have also collaborated with many of the world’s finest musicians\, including members of the Vermeer\, Tokyo\, Cleveland\, and Juilliard Quartets\, and their live performances have been heard on National Public Radio’s “Performance Today\,” and “Live from Music Mountain\,” which broadcasts to 125 stations in the U.S. and to 35 countries. \nCelebrating their 25th season\, in 2016-2017\, Arianna returned to Brazil for the FEMUSC Festival in Jaragua do Sul\, the Barra Mansa Music Festival\, held concerts in Rio de Janeiro\, as well as live performances on Chicago’s WFMT radio\, and returned to the Madeline Island Chamber Music and Credo Festival. Most recently the quartet released a new CD of Beethoven’s middle quartets\, of which FANFARE MAGAZINE wrote\, “These may just be the greatest performances of Beethoven’s middle quartets in recorded history.” \n——————– \nBest available seating will be assigned\, unless otherwise noted at checkout.\nFor more information regarding reserved seating call 715-747-2561.
URL:https://www.micm.org/event/arianna-string-quartet/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180615T200000
DTEND;TZID=America/Chicago:20180615T200000
DTSTAMP:20260524T221431
CREATED:20170331T121851Z
LAST-MODIFIED:20180615T210318Z
UID:290-1529092800-1529092800@www.micm.org
SUMMARY:Prairie Winds Quintet
DESCRIPTION:The Prairie Winds Quintet program will include works by David Maslanka\, Charles Gounod\, and Astor Piazzolla. \nJONATHAN KEEBLE\, Flute; ANNA PETERSEN\, Oboe\nSUSAN WARNER\, Clarinet; FRITZ FOSS\, French Horn\nTIMOTHY McGOVERN\, Bassoon \nMadeline Island Chamber Music is pleased to present The Prairie Winds Quintet in concert on Madeline Island. Since 1996\, The Prairie Winds have been captivating audiences throughout North America with performances that present the finest wind quintet literature. They have performed at numerous celebrated music festivals\, including Ravinia\, Juneau Jazz and Classics\, Chamber Music America’s Education and Residency Institute\, and the Britt Festival in Oregon\, where the group served as quintet-in-residence for four years. In 2003\, the Prairie Winds began their annual residency with Madeline Island Chamber Music offering a chamber music program for collegiate wind players. \nIn addition to their busy touring schedule\, the quintet also has an active radio presence—recent broadcasts include full-length concerts for Chicago’s WFMT “Live from Studio One” program and for listeners of Minnesota Public Radio. The group also has collaborated several times with pianist Ralph Votapek\, a Van Cliburn International Piano Competition gold medalist\, with whom they performed works for winds and piano by Mozart\, Beethoven\, and Poulenc. \n——————– \nTickets will be available for purchase at-the-door.  \nBest available seating will be assigned\, unless otherwise noted at checkout.\nFor more information regarding reserved seating call 715-747-2561.
URL:https://www.micm.org/event/prairie-winds-quintet-concert/
LOCATION:The Clubhouse on Madeline Island\, 480 Old Fort Road\, La Pointe\, WI\, 54850\, United States
CATEGORIES:Island
END:VEVENT
END:VCALENDAR