Praised by Strad magazine as having “lyricism that stood out…a silky tone and beautiful, supple lines,” violist Milena Pajaro-van de Stadt has established herself as one of the most sought-after violists of her generation. In addition to appearances as soloist with the Tokyo Philharmonic, the Jacksonville Symphony, and the Sphinx Chamber Orchestra, she has performed in recitals and chamber-music concerts throughout the United States, Latin America, and Europe, including an acclaimed 2011 debut recital at London’s Wigmore Hall, which was described in Strad as being “fleet and energetic…powerful and focused”.
Ms. Pajaro-van de Stadt is the founding violist of the Dover Quartet, First Prize-winner and recipient of every special award at the Banff International String Quartet Competition 2013, and winner of the Gold Medal and Grand Prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include First Prize of the Lionel Tertis International Viola Competition and top prizes at the Tokyo International Viola Competition and the Sphinx Competition. Ms. Pajaro-van de Stadt’s summer festival appearances include Marlboro, Bowdoin, Santa Fe Chamber Music Festival, Sarasota, Strings, Bravo! Vail, and La Jolla Summerfest, as well as Italy’s Emilia Romagna Festival. She is also on the roster of Manhattan Chamber Players and Jupiter Symphony Chamber Players. Among the conductors with whom she has worked are Seiji Ozawa, Christoph Eschenbach, Alan Gilbert, Charles Dutoit, and Otto-Werner Mueller.
A violin student of Sergiu Schwartz and Melissa Pierson-Barrett for several years, she began studying viola with Michael Klotz at the Bowdoin International Music Festival in 2005. Ms. Pajaro-van de Stadt graduated from the Curtis Institute of Music, where she studied with Roberto Diaz, Michael Tree, Misha Amory, and Joseph de Pasquale. She then received her Master’s Degree in String Quartet with the Dover Quartet at Rice University’s Shepherd School of Music, as a student of James Dunham. Ms. Pajaro-van de Stadt performs on a 2004 copy of the Primrose Amati, originally made for Roberto Diaz by Gabrielle Kundert and on a 1780 Michele Deconet generously on loan by the grandson of the viola’s former owner, Boris Kroyt of the Budapest String Quartet.